Jin-vani
The Story Behind

Bhaktamara Stotra

A traditional account of Acharya Manatunga and the 48 chains

Part One · The Acharya

An Acharya in Ujjayini

Long ago — more than a thousand years ago, in the city of Ujjayini in central India — there lived a Jain Acharya named Manatunga.

An Acharya is a senior monk — someone who has spent a lifetime in study and meditation, and who guides others on the path. Acharya Manatunga had given up everything: his family, his possessions, even his clothes. He owned nothing. He held nothing back.

What he did have was deep bhakti — devotion — for Bhagavan Adinath, the very first Tirthankara of our time. To him, the example of Adinath was the only thing worth holding onto in life.

Part Two · The Court

The King Wanted Proof

Tradition tells us that there was a powerful king in Ujjayini — often remembered as King Bhoja. His court was filled with famous poets: Mayura, who praised the sun-god Surya; Bana, who praised the goddess Chandi. Both had composed beautiful hymns and were said to have shown miraculous powers through their devotion.

The king had heard of Acharya Manatunga, the Jain monk who lived without anything, who praised the Jina above all else. The king wanted to know: was Manatunga's devotion as powerful as the others?

“Show me,” the king said. “Show me the power of your Jain teachings. Show me what your Adinath can do.”

Part Three · The Challenge

Forty-eight Chains

To make the test impossible, the king ordered Acharya Manatunga to be bound — not in one chain, not in ten, but in forty-eight iron chains. He was locked in a room behind forty-eight locked doors.

“If your devotion is real,” the king said, “let your Jina free you now.”

Part Four · The Stotra Begins

Each Verse, One Chain

But Acharya Manatunga was not afraid. Sitting in chains, in the dark, he closed his eyes and began to compose verses praising Bhagavan Adinath.

The first verse was this:

भक्तामर-प्रणत-मौलि-मणि-प्रभाणा-
मुद्योतकं दलित-पाप-तमो-वितानम्।

bhaktāmara-praṇata-mauli-maṇi-prabhāṇām
udyotakaṁ dalita-pāpa-tamo-vitānam

“I bow to the feet of the first Jina — feet whose radiance lights up even the jewels in the crowns of bowing celestials, feet that dispel the darkness of sin...”

As Acharya Manatunga finished the verse — one chain broke.

He kept going. Verse two. Another chain broke. Verse three. Another. The verses came one after another, each one a praise of the Jina's qualities — his calmness, his wisdom, his light, his compassion. With each verse, one more chain fell away. With each verse, one more door unlocked.

Part Five · Free

The Forty-eighth Verse

At the forty-eighth verse, the last chain fell. The last door swung open. Acharya Manatunga stood up, walked out of the prison — without weapons, without anger, without even a single possession.

Just words. Just a stotra.

The king watched, stunned. He understood something he had not understood before: true power is not in miracles. True power is bhakti — devotion that is pure, focused, unshakeable. Devotion that does not depend on chains being broken or doors being opened. Devotion that simply is.

Part Six · Today

Why we read it

The stotra Acharya Manatunga composed in that prison cell is the same Bhaktamara Stotra we read today — all forty-eight verses of it. Across the Digambara tradition, it is recited daily in temples, in homes, by elders, and by children just learning their first prayers.

Every time we read it, we are doing what Acharya Manatunga did. We are turning toward the Jina's example. We are turning away from fear. And we are turning into bhakti — that pure, quiet devotion that is stronger than any chain.

Begin reading the Bhaktamara Stotra

All 48 verses · Sanskrit, Hindi, English · Tap any word to learn what it means.

Read Verse 1
Note on this accountThe story of the 48 chains is a traditional account told widely across the Digambara community for many centuries. Specific details — the exact identity of the king, the precise circumstances — vary across sources, and the historical Manatunga predates the famous King Bhoja of Dhar by some centuries. What is consistent across the tradition is the central image: an Acharya bound in 48 chains, freed by 48 verses of devotion. Working draft. If anything here is wrong, please flag it.